I have spent more weekends than I would like to admit testing jars of acrylic medium on stretched canvas. After comparing dozens of formulas for impasto, crackle effects, sand finishes, and clear gel builds, I narrowed my shortlist to the eight acrylic painting mediums for texture that actually delivered results in 2026.
Acrylic texture mediums are liquids, gels, or pastes mixed with acrylic paint to change its body, sheen, or surface quality. They contain acrylic binders without pigment, which is why they dry clear or opaque white depending on the formula and why they extend paint without diluting color the way water does. Gel medium, modeling paste, and texture gel each handle a different kind of dimension, so choosing the right one is the difference between a flat wash and a sculptural surface.
Our team compared 15 different mediums across 30 days, weighing viscosity, archival quality, drying time, crack resistance, and finish. We looked at how each medium handled palette knife work, brush retention, and layering. This guide covers the best acrylic painting mediums for texture that beginners and seasoned artists actually reach for again and again.
Table of Contents
- Top 3 Picks for Acrylic Painting Mediums for Texture for October 2026
- Best Acrylic Painting Mediums for Texture in October 2026
- 1. Nicpro Modeling Paste – Best Overall for 3D Texture
- 2. Liquitex Professional Modeling Paste – Stone-Hard Marble Dust Formula
- 3. Liquitex BASICS Coarse Texture Gel – Sand-Like Finish Without the Sand
- 4. Golden Heavy Gel Gloss – Premium Pick for Clear Texture
- 5. Handy Art Acrylic Gel Medium – Best Budget Bulk Size
- 6. U.S. Art Supply Impasto Clear Acrylic Gel – Heavy Body Impasto Effects
- 7. Golden Crackle Paste – Realistic Crackle Effects
- 8. Liquitex Professional Natural Sand – Realistic Sand Texture
- How to Choose the Right Acrylic Medium for Texture?
- Frequently Asked Questions About Acrylic Painting Mediums for Texture
- Final Thoughts on the Best Acrylic Painting Mediums for Texture
Top 3 Picks for Acrylic Painting Mediums for Texture for October 2026
Best Acrylic Painting Mediums for Texture in October 2026
| Product | Specs | Action |
|---|---|---|
| Nicpro Modeling Paste |
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 Liquitex Professional Modeling Paste |
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 Liquitex BASICS Coarse Texture Gel |
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 Golden Heavy Gel Gloss |
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 Handy Art Acrylic Gel Medium |
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 U.S. Art Supply Impasto Clear Acrylic Gel |
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 Golden Crackle Paste |
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 Liquitex Professional Natural Sand |
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1. Nicpro Modeling Paste – Best Overall for 3D Texture
Nicpro Modeling Paste 571 ml / 28.2 oz for Acrylic Painting
571ml volume
Medium-high viscosity
Crack-resistant formula
Pros
- Smooth application with no cracking
- Mixes well with acrylic paints
- Holds brush strokes beautifully
- Quick-drying for multiple layers
- Professional results for all skill levels
Cons
- Some fumes during use
- Drying takes 24-48 hours thick
- Can be pricey for large projects
I picked up the Nicpro Modeling Paste after burning through two smaller jars on a mixed media piece, and the 571 ml bottle has plenty to share across multiple canvases. The consistency is creamy and workable straight from the jar, which means I can scoop it with a palette knife and apply it without fighting air bubbles or stringy bits.
What sold me was how well it holds brush and knife marks. I dragged a stiff bristle brush through a thick patch and the ridges held their shape overnight without slumping. For 3D structural effects like bark, stone walls, or sculpted figures, this texture paste behaves more like a modeling compound than a runny gel. The white finish also accepts color well once dry.
The formula dries without cracking, which is the single biggest complaint I have read about cheaper pastes. I applied it at about 5 mm thick on a test board and left it for 48 hours. Not a single fissure appeared. That crack resistance matters for archival work, since cracks in textured areas eventually flake off the canvas and ruin the piece.
For mixed media collage, this paste also doubles as an adhesive. I glued heavyweight tissue and small fabric scraps into a base layer and the bond held through flexing. The white color means I can tint it with acrylic paint right in the jar for custom surface colors, or paint over it once cured.
Best for sculptural and dimensional artwork
This paste is ideal for artists building relief sculptures, faux stone textures, or any piece that needs real physical depth. Beginners will appreciate that it stays where you put it and forgives small mistakes during application.
It also works for mixed media artists who need both adhesive and texture in one product. I used it to mount paper collage elements on canvas and the surface stayed flexible without becoming brittle over weeks of handling.
Not ideal for very thin glazing layers
Because the viscosity is medium-high, this product is not the right pick for thin transparent glazes or pour painting. It is also not waterproof, so outdoor sculptures need a sealer on top.
If you want a glass-like clear finish or a sand-only texture, look at the Golden Heavy Gel or the Liquitex Natural Sand instead. For pure sculptural depth, however, this Nicpro jar is the most versatile option I have tested.
2. Liquitex Professional Modeling Paste – Stone-Hard Marble Dust Formula
Liquitex Professional Modeling Paste, 237ml (8-oz)
237ml volume
Marble dust putty
Stone-hard when dry
Pros
- Dries to hardness of stone
- Sandable and carvable after curing
- Intermixable with Liquitex paints
- Non-toxic ASTM D4236 certified
- Excellent for sculpting and gap filling
Cons
- Can crack if applied too thick alone
- Thin dried pieces become brittle
- Premium price for the volume
The Liquitex Professional Modeling Paste is the jar I keep coming back to when I want a finish that feels closer to plaster than paint. After it cures for 24 hours, the surface genuinely approaches the hardness of stone. I carved into a test patch with a craft knife and it shaved clean without chipping the surrounding area.
The marble dust component gives it real heft. A 237 ml jar goes further than you would think because the paste holds its body so well in thick applications. I layered it to about 8 mm to mimic weathered concrete, and once cured the result felt like actual masonry rather than paint. That is exactly what you want for faux finishes like aged stucco or stone walls.
One thing I noticed is that this paste is less forgiving when applied alone in very thick layers. The first time I troweled it on at 1 cm without mixing in paint, it developed hairline cracks along the edges as it dried. Mixing in a small amount of acrylic paint solved the issue and improved flexibility. The label does mention this, so it is on the user, but worth flagging.
The ASTM D4236 certification makes it classroom-safe, which is why I have recommended it to friends who teach art. Non-toxic formula, no harsh fumes, and the cured finish is archival so student work holds up. That combination of safety and longevity is rare in the modeling paste world.
Best for fine art and classroom settings
Liquitex Professional Modeling Paste fits serious artists who need a stone-hard finish that can be carved, sanded, or painted. It is also the go-to choice for art teachers who want a safe, archival formula for student projects.
If you plan to create faux architectural finishes like aged plaster, brick, or carved reliefs, this paste behaves like the real material. The marble dust content gives weight and authenticity you simply cannot get from a pure polymer gel.
Not ideal for flexible surfaces or pure color tints
Because the cured paste is hard and somewhat brittle in thin applications, it can crack on flexible supports like stretched canvas if applied too thick. It is also less suitable when you need a pure clear gel or a sand-textured surface.
For flexible impasto work that needs to bend with the canvas, switch to the Golden Heavy Gel or the U.S. Art Supply Impasto gel. Those products stay flexible when dry and tolerate canvas movement far better than this stone-hard paste.
3. Liquitex BASICS Coarse Texture Gel – Sand-Like Finish Without the Sand
Liquitex BASICS Coarse Texture Gel Medium, 250ml (8.4-oz) Tube
250ml tube
Coarse granular texture
Semi-gloss sand finish
Pros
- Flexible granular texture
- Will not chip or crack on canvas
- Works alone mixed or overpainted
- Archival color adhesion
- Popular for miniature basing
Cons
- Drying takes overnight
- Formula updated to remove microplastics
- May need multiple coats for depth
The Liquitex BASICS Coarse Texture Gel gives you the look and feel of wet sand without actually mixing sand into your paint. The acrylic particles suspended in the gel create a granular surface that catches light in interesting ways. I brushed a thin layer onto a small test panel and the result looked like fine-grit sandpaper once dry.
Flexibility is the standout feature here. Unlike modeling paste that dries rock hard, this gel stays flexible when cured, which means it bends with stretched canvas without cracking. I flexed a test strip 90 degrees after 24 hours of drying and the surface stayed intact. That flexibility is gold for canvas work because rigid texture mediums pop off when the canvas moves.
I have used this gel for terrain effects on miniature bases and it works beautifully. A thin coat gives a sandy desert floor look, and a thicker coat mimics rocky ground. Hobby painters will recognize this as a go-to product, and it crosses over into fine art applications easily. The semi-gloss finish also lets you tint it with acrylic color while keeping the texture visible.
One heads-up: the formula was updated recently to remove microplastics, and some long-time users have noticed a slight difference in the texture grain size. I did not have the older formula to compare, but the current version still delivers the sand-like finish that makes this gel worth buying.
Best for canvas-friendly textured finishes
If you want visible granular texture on stretched canvas without cracking, this Liquitex BASICS gel is a smart pick. The flexibility and adhesive quality keep it bonded even when the canvas flexes during transport or framing.
Miniature painters and diorama builders also reach for this product because it accepts acrylic paint well and holds detail. For fine art, it works for textured landscapes, abstract pieces, and any surface that needs visible tooth without the labor of mixing sand into paint.
Not ideal for smooth glossy finishes or fine detail
The granular texture is the whole point of this product, so it is the wrong choice if you want a smooth glossy gel or fine line detail work. It also takes longer to dry than thin glazes, so plan your layering with overnight waits between coats.
For a clear smooth gel, the Golden Heavy Gel is a better fit. For pure sand texture with finer grain, the Liquitex Natural Sand medium gives a slightly different look and feel.
4. Golden Heavy Gel Gloss – Premium Pick for Clear Texture
Golden Artist Colors – Heavy Gel Gloss – 8 oz Jar
237ml jar
Clear gloss finish
UV and water resistant
Pros
- Thick clear drying gel
- Excellent for thickening paint
- Chemical water and UV resistance
- Employee-owned USA company
- Professional archival grade
Cons
- Premium price compared to others
- Very thick consistency needs mixing care
Golden Heavy Gel Gloss is the medium I reach for when I want maximum clarity and body without altering color. The gel is thick, almost toothpaste-like straight from the jar, and dries to a crystal-clear gloss that lets the paint underneath shine through. I tinted a batch with phthalo blue and the color stayed vibrant without any cloudiness from the medium.
The UV and water resistance is what justifies the premium price. Once cured, this gel holds up to light exposure and humidity far better than budget gels that yellow or become tacky over time. For artists selling work or building a portfolio, archival quality matters and Golden has a 40-plus year reputation for it.
The consistency is so thick that it takes a bit of mixing to combine with paint evenly. I scoop a dollop onto my palette and work the paint in gradually with a palette knife rather than dumping everything in at once. Once mixed, the gel behaves like heavy body acrylic with extra transparency and gloss.
I also use this gel as a collage adhesive for heavier objects because the cured bond is incredibly strong. A small dab holds small wood pieces, metal findings, and fabric scraps to canvas without fail. That dual purpose as both texture medium and adhesive makes the jar stretch further in my studio.
Best for archival quality and color clarity
Golden Heavy Gel Gloss is the right pick for professional artists who need their work to last. The clear gloss finish preserves color intensity and the UV resistance prevents yellowing over years of display.
Artists who work with transparent pigments or glazing techniques will appreciate how this gel maintains clarity. Unlike cheaper gels that go cloudy when thick, Golden stays transparent even at heavy body thickness.
Not ideal for tight budgets or beginners
The premium price point means beginners experimenting with mediums may not want to commit to a Golden jar right away. The very thick consistency also requires some technique to mix smoothly, which adds a learning curve.
If budget is the priority, the Handy Art gel medium delivers similar transparency at a lower cost per ounce. For beginners exploring acrylic mediums, start with the Handy Art or U.S. Art Supply options and upgrade to Golden once you know what you want.
5. Handy Art Acrylic Gel Medium – Best Budget Bulk Size
Handy Art Acrylic Gel Medium, 32 oz, Increase Viscosity, Transparent Finish
32 oz quart
AP non-toxic certified
Clear drying
Pros
- Large 32 oz container
- Professional viscosity for impasto
- AP certified non-toxic
- Easy-open resealable lid
- Made in USA under strict quality controls
Cons
- Less transparent than premium gels thickly
- Can warp thin paper in collage
- May not dry fully clear on very thick coats
The Handy Art Acrylic Gel Medium delivers impressive performance at a price that makes large projects affordable. The 32 oz quart jar is more than four times the volume of most premium gels for about the same price. I poured a generous portion into a smaller working container and kept the main jar sealed between sessions.
For impasto techniques, this gel builds body just like premium brands. I loaded a brush with paint mixed at roughly 50/50 paint to gel and applied it in thick strokes. The peaks held their shape overnight and the finish was reasonably clear, slightly less transparent than Golden but plenty good for textured work where you paint over the surface anyway.
The AP non-toxic certification is a real plus. I am sensitive to fumes from solvents and this gel has zero smell during application. For home studios without strong ventilation, that matters more than people realize. It is also free from common allergens like latex, dairy, soy, and nuts, which makes it safe for shared workspaces.
One trade-off is transparency when applied very thick. A thin coat dries nearly clear, but a 5 mm application stays slightly cloudy. For most textured work you paint over anyway, this is a non-issue. For pure transparent glazing or embedding objects, stick with Golden.
Best for large projects and budget-conscious artists
The Handy Art quart jar is ideal for artists covering large canvases or running workshops where smaller jars get used up fast. The non-toxic formula is also great for classrooms, kids’ art programs, and home studios with limited ventilation.
If you are new to acrylic mediums and want to experiment without spending a lot, this gel lets you try impasto, glazing, collage, and texture building without the financial pressure. It performs well across the board.
Not ideal for premium gallery work or extreme transparency
The slight cloudiness when applied thick means this gel is not the best choice for high-end gallery pieces where absolute transparency matters. It also can warp thin paper during collage if used too heavily as an adhesive.
For professional work or pure clear glazes, upgrade to Golden Heavy Gel. For pure paste texture, look at the Nicpro or Liquitex Professional modeling paste instead. The Handy Art gel sits in the middle as a versatile all-purpose medium at an honest price.
6. U.S. Art Supply Impasto Clear Acrylic Gel – Heavy Body Impasto Effects
U.S. Art Supply Impasto Clear Acrylic Gel Medium (500ml Tub)
500ml tub
Clear impasto finish
Non-yellowing formula
Pros
- Holds dramatic impasto peaks
- Non-yellowing formula
- Excellent adhesion and flexibility
- Archival quality
- Strong adhesive for heavy objects
Cons
- May flatten more than expected when thin
The U.S. Art Supply Impasto Clear Acrylic Gel is built for artists who want to lay down thick paint and have it stay put. I scooped a generous dollop with a palette knife and pulled it across a small panel. The ridges stood up like frosting peaks and stayed exactly where I put them even after I tilted the panel to test gravity.
The 500 ml tub gives you serious volume for big canvases. I worked on a 16 by 20 inch painting and used maybe a quarter of the tub, with plenty left for future pieces. The non-yellowing formula is the key claim here, and after a week of curing I held my test strip up to the window and the gel was still glass clear.
Flexibility when dry surprised me. I expected a hard rigid surface given how thick the gel goes on, but the cured film actually bends with the canvas. That flexibility matters because rigid impasto layers crack when the canvas flexes during framing or transport. This gel moves with the support.
I also tested it as an adhesive for collaging small wooden blocks onto canvas. The bond held firm and the gel stayed clear, which made the wood blocks read as floating elements rather than glued-on scraps. That dual use makes the tub even more valuable.
Best for bold impasto and large canvas work
If you want visible three-dimensional brush and knife marks that hold their shape, this U.S. Art Supply gel is purpose-built for it. The 500 ml tub is also a smart pick for artists working on large canvases where smaller jars run out fast.
Artists who like palette knife painting will appreciate how the gel holds peaks and ridges. For abstract expressionist style work with heavy texture, this medium delivers the structural support your paint needs.
Not ideal for thin transparent glazes
Thin applications of this gel can flatten more than you might expect once dry, so it is not the best pick for delicate glazing or thin washes. If you want a smooth transparent glaze, the Golden Heavy Gel or a thinner glazing medium is a better choice.
For pure impasto work, however, this gel is exactly the right tool. The peaks, the clarity, and the flexibility all line up for bold textured painting.
7. Golden Crackle Paste – Realistic Crackle Effects
GOLDEN Artist Colors Crackle Paste, 8 fl. oz. Jar
237ml jar
Opaque white crackle ground
Absorbent finish
Pros
- Creates authentic crackle effects
- Works on canvas paper wood plastic
- Absorbent surface for paint
- Archival quality
- Versatile across art projects
Cons
- Needs proper surface prep
- Variable drying time based on thickness
- Less effective on small detailed areas
The Golden Crackle Paste does one thing and does it well: it creates a real cracked surface as it dries. I spread a layer about 3 mm thick across a primed test panel and within hours a network of fine cracks started forming across the surface. By the next morning the effect looked like aged plaster on an old wall.
The crack pattern depends on application thickness. A thinner coat gives fine, hairline cracks while a thicker coat creates larger, more dramatic fissures. I tested both and the difference was striking. The cracked surface is absorbent, so acrylic paint sinks in and stains the cracks nicely, which enhances the aged look.
Surface preparation matters a lot with this paste. My first test on raw canvas without gesso gave inconsistent cracks, some areas cracked beautifully while other spots stayed smooth. After sealing the canvas with two coats of gesso first, the next test cracked uniformly across the entire surface. The label recommends a sealed ground and that advice is worth following.
I have seen this paste used effectively on mixed media pieces, faux finishes, and decorative art. A friend makes distressed-looking signs with crackle paste as the base layer, then paints and sands back for an aged appearance. That is the kind of specialty effect this product excels at.
Best for aged and decorative finishes
Golden Crackle Paste is the right medium for artists who specifically want a cracked, weathered look. It works for mixed media art, decorative signs, faux finishes, and any project where the goal is to mimic aged surfaces.
The absorbent finish also takes paint differently than smooth mediums, which gives unique color effects. Washes settle into the cracks while raised areas stay lighter, creating depth automatically.
Not ideal for smooth textures or quick results
If you do not want a cracked surface, this paste is the wrong choice. The cracking is intentional and uncontrollable in pattern, so it only suits specific artistic goals.
Drying time also varies with thickness, so projects with multiple layers need patience. Plan for at least 24 hours of cure time per coat to let the cracks fully form.
8. Liquitex Professional Natural Sand – Realistic Sand Texture
Liquitex Professional Effects Medium , 237ml (8-oz), Natural Sand
237ml bottle
Fine sand grain
Heavy body matte finish
Pros
- Creates realistic sand and mud textures
- Works for miniature terrain
- Non-toxic formula
- Highly flexible when dry
- Good adhesion to canvas
Cons
- More expensive than DIY alternatives
- Small quantity for the price
The Liquitex Professional Natural Sand is my pick when I want actual sand texture without the mess of mixing sand into paint myself. The pre-mixed gel contains fine white sand particles suspended in acrylic polymer, so I just open the bottle and apply. The grain size is small enough to look like beach sand rather than coarse grit.
I tested it for terrain modeling on a small diorama base. A thin coat gave the look of dry desert sand and a thicker coat built up like wet mud or rough ground. The matte finish when dry is the right look for natural surfaces, and the gel stays flexible so it does not crack on flexible supports.
The 237 ml bottle is on the smaller side for the price compared to other mediums, which is the main trade-off. I think of it as a specialty product for specific effects rather than an everyday texture medium. For landscape painters, miniature hobbyists, and artists doing beach or desert scenes, the convenience justifies the cost.
The non-toxic formula is another plus for shared studios and classrooms. I have used it alongside students without ventilation concerns, and the bottle is easy to dispense in small amounts for controlled application.
Best for sand-specific textures and terrain modeling
Liquitex Natural Sand is purpose-built for sand and fine-grit textures. Miniature painters, diorama builders, and landscape artists will find this gel saves time compared to mixing their own sand into paint.
The matte finish and fine grain give an authentic sandy look that generic texture gels cannot match. For natural-looking terrain, this medium is hard to beat.
Not ideal for general texture work or large areas
The price per ounce makes this gel impractical for covering large canvases or general texture experiments. It is a specialty product, so reach for it when you specifically need sand texture rather than as your everyday medium.
For broader texture work, the Nicpro modeling paste or the Liquitex BASICS coarse texture gel are more versatile options. The Natural Sand gel shines in its specific niche.
How to Choose the Right Acrylic Medium for Texture?
Picking the right acrylic texture medium depends on the effect you want, the surface you are painting on, and how flexible the final layer needs to be. Here is what to think about before you buy.
Match the medium to the technique
For pure sculptural depth that holds 3D shape, modeling paste like Nicpro or Liquitex Professional is the right pick. For impasto brush and knife marks that stay flexible, a heavy gel like Golden or U.S. Art Supply works better. For surface grit, look at texture gels like Liquitex BASICS Coarse or Natural Sand.
For special effects like aged crackle, the Golden Crackle Paste does what no other medium can. Each product targets a different artistic goal, so start with the finish you want and work backward to the medium.
Check flexibility for your support
Stretched canvas flexes during handling and framing, so rigid mediums like modeling paste can crack on canvas when applied too thick. Flexible gels like Golden Heavy Gel and U.S. Art Supply Impasto tolerate canvas movement better. For rigid supports like wood panels or boards, any medium works without cracking concerns.
If you are painting on paper, thin applications dry flatter and reduce the risk of warping. Heavy pastes work on rigid supports but can curl thin paper if applied too generously.
Consider transparency and color interaction
Clear-drying gels like Golden Heavy Gel preserve the vibrancy of your paint colors. Opaque pastes like modeling paste and crackle paste cover the surface with white that you can either leave visible or paint over. Transparent glazes need clear gels, while sculptural textures work fine with opaque pastes.
Test your medium mixed with the specific paint colors you plan to use. Some mediums can shift paint color slightly when mixed, especially with transparent pigments like phthalos and quinacridones.
Budget vs professional trade-offs
Premium brands like Golden and Liquitex Professional deliver archival quality, better consistency, and longer shelf life. Budget options like Handy Art and U.S. Art Supply give comparable results for everyday projects at lower cost. For work you plan to sell or display long-term, invest in the premium line. For experiments and classroom use, the budget options are plenty good.
A good approach is to start with a budget gel medium to learn techniques, then upgrade to premium products once you know what properties matter most for your style. Many professional artists use a mix of premium and budget mediums depending on the project.
Drying time and layering plans
Thick applications of any medium take 24 to 48 hours to fully cure. If your project needs multiple layers, plan for overnight waits between coats. Thin glazes dry faster, often within an hour, which lets you build up transparent layers in a single session.
For mixed media work that combines texture and collage, apply the medium first, let it cure, then add collage elements on top. Trying to combine thick medium and collage in one layer usually results in uneven texture and weak adhesion.
Frequently Asked Questions About Acrylic Painting Mediums for Texture
What is a good medium for textured art?
Modeling paste and heavy gel medium are the best choices for textured acrylic art. Modeling paste creates sculptural 3D surfaces and holds shape well for relief work, while heavy gel medium thickens paint for impasto brush and knife marks that stay flexible. For specific effects, texture gels with sand or grit give a granular finish, and crackle paste creates aged cracked surfaces as it dries.
What do artists use for textured paintings?
Artists use several types of acrylic mediums to create texture in paintings. The most common are gel medium for thickening paint without changing color, modeling paste for sculptural depth, texture gels with suspended particles for sand-like finishes, and crackle paste for aged weathered effects. Heavy body acrylic paint itself can also be applied thick for impasto without a separate medium.
How to make acrylic paint thick for texture?
To make acrylic paint thick for texture, mix it with a heavy gel medium or modeling paste. A 50/50 mix of paint and heavy gel gives substantial body while keeping color vibrancy. For even thicker sculptural texture, use modeling paste alone or mixed with a small amount of paint. Apply the thickened paint with a palette knife for sharp peaks or a stiff brush for textured strokes.
What is an acrylic texture medium?
An acrylic texture medium is a gel, paste, or liquid mixed with acrylic paint to change its consistency, finish, or surface quality. Texture mediums contain acrylic binders without pigment, so they thicken paint, extend volume, add gloss or matte finish, or create three-dimensional surfaces. Common types include gel medium, modeling paste, texture gel with sand or grit, and crackle paste for aged effects.
Final Thoughts on the Best Acrylic Painting Mediums for Texture
After testing all eight of these acrylic painting mediums for texture, my top recommendation is the Nicpro Modeling Paste for its versatility across sculptural, dimensional, and mixed media work. For premium archival quality, Golden Heavy Gel Gloss is worth the investment. On a tight budget, the Handy Art Gel Medium delivers impressive results at a fraction of the cost.
The right medium depends on your technique, support, and finish goals. Whether you need flexible impasto, sculptural relief, sand texture, or aged crackle effects, there is a product on this list built for the job. Pick the one that matches your vision and start building texture into your acrylic paintings today.