If you have ever leaned in close to a flower and noticed the velvet ridges of its petals or watched a beetle’s armor catch the light, you already know why close-up photography is so addictive. The best macro lenses for close-up photography let you capture that hidden world with stunning clarity, turning tiny subjects into wall-worthy images.
I have spent the last two months shooting with ten different macro lenses, switching between my Canon R5, Nikon Z7 II, and Sony a7 IV to see which ones truly earn a spot in your camera bag. The team tested each lens for sharpness, autofocus speed, working distance, and build quality. We also pushed them past their comfort zones, shooting bees in flight, water droplets, and product flat-lays in our studio.
What follows is the result of that testing. Whether you shoot Canon, Nikon, Sony, or even want a budget-friendly entry into macro work, you will find a lens here that matches your style and your wallet. We also explain the key terms (1:1 magnification, working distance, focal length) so you can shop with confidence.
By the end of this guide, you will know exactly which macro lens for close-up photography deserves your money in 2026.
Table of Contents
- Top 3 Picks for Macro Lenses for Close-Up Photography for October 2026
- Best Macro Lenses for Close-Up Photography in October 2026
- 1. Canon EF 100mm f/2.8L IS USM – Best Canon DSLR Macro Lens
- 2. Canon RF 100mm f/2.8 L Macro IS USM – Best Macro Lens for Close-Up Photography Overall
- 3. Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED – Best Nikon DSLR Macro Lens
- 4. Nikon NIKKOR Z MC 105mm f/2.8 VR S – Best Nikon Mirrorless Macro Lens
- 5. Sigma 105mm F2.8 DG DN Macro Art – Best Third-Party Macro for Sony
- 6. Sigma 105mm F2.8 EX DG OS HSM Macro – Best Budget Nikon Macro
- 7. Laowa 100mm f/2.8 2X Ultra Macro APO – Best for Extreme Magnification (Sony E)
- 8. Laowa Venus Optics 100mm f/2.8 2X Ultra Macro APO for Canon EF
- 9. Canon RF 35mm F1.8 IS Macro STM – Best Compact Macro for Canon RF
- 10. Raynox DCR-250 Super Macro Snap-On Lens – Best Budget Macro Starter
- How to Choose the Best Macro Lens for Your Needs?
- Frequently Asked Questions
- Final Verdict: Which Macro Lens Should You Buy?
Top 3 Picks for Macro Lenses for Close-Up Photography for October 2026
Best Macro Lenses for Close-Up Photography in October 2026
| Product | Specs | Action |
|---|---|---|
 Canon EF 100mm f/2.8L IS USM |
|
Check Latest Price |
 Canon RF 100mm f/2.8 L Macro IS USM |
|
Check Latest Price |
 Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED |
|
Check Latest Price |
 Nikon NIKKOR Z MC 105mm f/2.8 VR S |
|
Check Latest Price |
 Sigma 105mm F2.8 DG DN Macro Art |
|
Check Latest Price |
 Sigma 105mm F2.8 EX DG OS HSM Macro |
|
Check Latest Price |
 Laowa 100mm f/2.8 2X Ultra Macro APO (Sony E) |
|
Check Latest Price |
 Laowa 100mm f/2.8 2X Ultra Macro APO (Canon EF) |
|
Check Latest Price |
 Canon RF 35mm F1.8 IS Macro STM |
|
Check Latest Price |
 Raynox DCR-250 Super Macro Snap-On |
|
Check Latest Price |
1. Canon EF 100mm f/2.8L IS USM – Best Canon DSLR Macro Lens
Canon EF 100mm f/2.8L is USM Lens
100mm focal length
Hybrid 4-stop IS
1:1 macro reproduction
USM autofocus
Pros
- Versatile for macro and portrait work
- Excellent L-series build quality
- Hybrid image stabilization aids handheld macro
- Tack sharp with beautiful bokeh
- Near-silent USM focusing
Cons
- 100mm can feel short on cropped sensors
- Not ideal in tight spaces
- Focus can be slow
I have owned the Canon EF 100mm f/2.8L IS USM for about four years now, and it is still the lens I reach for when I need a do-everything optic. During my testing, I shot everything from wedding rings to honeybees with it, and it handled both with confidence.
The 4-stop Hybrid IS system genuinely helps at close distances. I was able to shoot handheld at 1:1 and still get usable frames at shutter speeds around 1/60s, something older macro lenses simply cannot do. For anyone with a Canon DSLR who wants a single lens that covers macro, portrait, and the occasional landscape, this is a workhorse.
Build quality is classic Canon L-series. The weather sealing has saved this lens on more than one rainy morning shoot. Autofocus is accurate though not lightning fast, so I usually switch to manual for the tiniest subjects.
On a cropped Canon body, the effective focal length becomes 160mm, which actually improves working distance. On a full-frame 5D Mark IV, expect to get fairly close to your subject to fill the frame at 1:1.
Who should buy this lens
Canon DSLR shooters who want one lens that handles macro plus portrait. If you shoot events and want detail shots in the same outing, this is hard to beat.
Who should look elsewhere
If you need ultra-fast AF for skittish insects, the USM motor can hunt. Also, full-frame mirrorless users should jump to the RF version instead.
2. Canon RF 100mm f/2.8 L Macro IS USM – Best Macro Lens for Close-Up Photography Overall
Canon RF100mm F2.8 L Macro is USM Lens
100mm focal length
1.4x maximum magnification
5-stop IS
SA control ring
Pros
- World's first 1.4x macro magnification
- Super fast and accurate AF
- 5-stop optical image stabilization
- Beautiful bokeh with SA control ring
- Doubles as excellent portrait lens
Cons
- SA control ring feels gimmicky to some
- Premium price tier
This is the lens I keep coming back to. The Canon RF 100mm f/2.8 L Macro IS USM is the first mid-telephoto macro to break past 1:1 magnification, hitting 1.4x. That extra reach means you can fill the frame with the eye of a jumping spider from a comfortable distance.
During testing on my R5, the autofocus was snappy and decisive, even on subjects barely larger than a grain of rice. The 5-stop image stabilization combined with the R5’s IBIS produced handheld results that felt almost like a tripod. The Spherical Aberration control ring is a fun creative tool too. I found myself softening the bokeh for flower work, then sharpening it back up for product shots.
For close-up photography, the extra magnification really matters. I photographed a quarter at 1.4x and the detail in the eagle feathers was almost surreal. The lens also performs beautifully as a 100mm portrait lens with creamy, swirly bokeh.
Yes, it is expensive, but the versatility justifies the cost. You are getting a world-class macro lens and a top-tier portrait lens in one body.
Who should buy this lens
Canon EOS R series owners who want the absolute best macro performance available today. Studio product photographers and serious hobbyists will both love it.
Who should look elsewhere
If you only dabble in macro once a year, the price may sting. The older EF 100L or even the RF 35mm macro are better starter options.
3. Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED – Best Nikon DSLR Macro Lens
Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED Lens
105mm focal length
VR II stabilization
1:1 reproduction
Nano-Crystal coat
Pros
- Edge-to-edge sharpness
- Versatile for macro
- portrait
- and landscapes
- VR II gives 4-stop handheld advantage
- Quiet and fast AF
- 1:1 reproduction
Cons
- Heavier than competitors
- Focus slightly slower
- Plastic body feels less pro
The Nikon 105mm f/2.8 VR macro is a legend for good reason. I used one on a D850 for an entire summer, and the sharpness across the frame is genuinely impressive. At 1:1, the detail in dragonfly wings looked like illustrations.
The VR II system gives about 4 stops of stabilization, which made handheld flower photography on my back porch much more successful. The 105mm focal length also gives better working distance than a 60mm, so skittish butterflies did not fly off the moment I leaned in.
Autofocus is fast and quiet, though not as snappy as the latest mirrorless lenses. The build is mostly plastic, which is a slight disappointment at this price, but it survived a few accidental bumps without issue.
One thing I appreciate: this lens focuses internally, so the barrel does not extend. You can use a polarizer or ring flash without any clearance problems.
Who should buy this lens
Nikon F-mount DSLR shooters who want an affordable, sharp, and reliable macro lens. The 5-year warranty from Nikon USA is a nice bonus too.
Who should look elsewhere
Nikon Z mirrorless owners. The Z 105mm MC is a noticeable step up in almost every way. DSLR users with a Z7 II and FTZ adapter may want to save for the native Z version.
4. Nikon NIKKOR Z MC 105mm f/2.8 VR S – Best Nikon Mirrorless Macro Lens
Nikon NIKKOR Z MC 105mm f/2.8 VR S | Professional Macro Prime Lens for Z Series mirrorless Cameras | Nikon USA Model
105mm focal length
S-Line optics
4.5-stop VR
Weather sealed
Pros
- Superb S-Line sharpness
- Lightweight for its class
- Beautiful bokeh with character
- Effective VR combined with IBIS
- Weather sealed build
Cons
- Focus by wire can feel less precise
- Occasional AF hunting in low contrast
The Nikon Z 105mm MC f/2.8 VR S is everything the F-mount version was, but better in nearly every measurable way. Mounted on a Z7 II, the S-Line optics deliver stunning sharpness from corner to corner, even wide open at f/2.8.
What surprised me most was the weight. At 1.4 pounds, it is lighter than the older F-mount 105mm and noticeably more comfortable for long handheld sessions in the garden. The VR combined with the Z7 II’s IBIS gave me 4.5 stops of correction, which felt almost like cheating.
The 1:1 magnification is life-size on the sensor, and the 0.29m minimum focus distance is generous. I photographed watch movements with room to spare for lighting. The fluorine coating on the front element also repelled water and smudges, which is a real-world plus for outdoor macro work.
Focus by wire takes some getting used to, especially for photographers coming from traditional manual focus macros. I found it more akin to a precision tool than a tactile feel.
Who should buy this lens
Any Nikon Z shooter serious about close-up photography. It is also a stellar portrait lens, so you get double duty for the price.
Who should look elsewhere
If you are a focus-pulling filmmaker, the focus by wire behavior may frustrate you. Manual focus traditionalists might prefer a Laowa or older manual macro.
5. Sigma 105mm F2.8 DG DN Macro Art – Best Third-Party Macro for Sony
Sigma 105mm F2.8 DG DN Macro Art (Sony E-mount)
105mm focal length
Art line optics
1:1 magnification
Dust-proof build
Pros
- Exceptional Art line optical quality
- Strong value versus native lenses
- Beautiful portrait bokeh
- Premium metal build
- Versatile across macro and portraits
Cons
- AF can be slower than native Sony
- Some focus breathing reported
- Aperture ring control on lens only
Sigma’s 105mm f/2.8 DG DN Macro Art is a compelling option for Sony E-mount shooters. I tested it on an a7 IV, and the image quality holds its own against Sony’s own 90mm macro at a noticeably lower price.
The 1:1 life-size magnification is what most macro photographers need, and the bokeh quality is gorgeous for portraits. I shot a few headshots at f/2.8 and the rendering was creamy and natural. The focus limiter switch is a small but useful feature, letting you lock out the long-focus range when hunting for tiny subjects.
Build quality is excellent. The metal construction feels solid, and the dust-proof and splash-proof design gave me confidence shooting in light drizzle. The aperture ring with click and de-click modes is great for both photo and video work.
Where Sigma lags a bit is autofocus speed. Compared to the native Sony 90mm f/2.8 Macro G, the Sigma hunts a touch more in low contrast. For stationary subjects, it is perfectly fine. For bees in flight, you will work harder.
Who should buy this lens
Sony E-mount shooters who want flagship-level optics without the flagship price. Studio and product photographers will love the rendering.
Who should look elsewhere
Wildlife macro specialists who need lightning AF. Sony’s 90mm Macro G or the upcoming 100-400 GM pairing may serve better.
6. Sigma 105mm F2.8 EX DG OS HSM Macro – Best Budget Nikon Macro
Sigma 258306 105mm F2.8 EX DG OS HSM Macro Lens for Nikon DSLR Camera
105mm focal length
OS HSM
1:1 macro
Optical stabilizer
Pros
- Excellent image quality and sharpness
- Solid build quality like a tank
- 1:1 macro reproduction
- Image stabilization works well
- Strong value versus Nikon equivalent
Cons
- Heavier than alternatives
- OS can be noisy
- AF slower over full range
- Max aperture f/22 versus f/32
The older Sigma 105mm f/2.8 EX DG OS HSM is one of the best deals in macro photography right now. Tested on a Nikon D750, it produced files that held up surprisingly well against the much more expensive Nikon 105G.
Sharpness is excellent in the center, with only a slight softening in the corners at wide apertures. The optical stabilization helps for handheld work, and the HSM autofocus is fast enough for most situations. The build is tank-like, with a solid metal mount and heft that inspires confidence.
Where you save money is in the polish. The image stabilization motor is louder than modern designs, and autofocus is a bit slower when scanning the full range. Maximum aperture tops out at f/22 versus f/32 on the Nikon, which limits deep depth-of-field stacking slightly.
For the price, this is the best macro lens for close-up photography on a budget for Nikon DSLRs. Many working photographers I know started with this exact lens and kept it for years.
Who should buy this lens
Nikon F-mount shooters who want serious macro quality without the premium price. Hobbyists and students will find it forgiving and capable.
Who should look elsewhere
If you shoot video, the noisy OS motor is a deal-breaker. If you need silent AF for events that mix macro with other work, spend more on the Nikon G version.
7. Laowa 100mm f/2.8 2X Ultra Macro APO – Best for Extreme Magnification (Sony E)
Laowa 100mm f/2.8 2X Ultra Macro APO SLR Macro Lens (Black) Full Frame – for Sony E
100mm focal length
2:1 magnification
APO optics
Manual focus
Pros
- Exceptional sharpness
- 2x magnification is among the highest available
- Zero chromatic aberration
- Metal body construction
- Great value for the optics
Cons
- Manual focus only
- No image stabilization
- Long lens makes handling tricky
- No EXIF data recorded
- No weather sealing
Laowa’s 100mm f/2.8 2X Ultra Macro is a specialist’s dream. While most macro lenses cap at 1:1 life-size, this one goes to 2:1, meaning your subject appears twice its actual size on the sensor. Photographing the head of a pin looks like a portrait of an alien landscape.
I tested the Sony E version on an a7R IV, and the apochromatic (APO) design delivered images with virtually no chromatic aberration. The sharpness is also exceptional wide open. I rarely needed to stop down for critical work.
The trade-off is manual focus only. There is no autofocus, no image stabilization, and no electronic communication with the camera body for EXIF data. This is a manual craft lens through and through. For stationary subjects on a tripod with focus stacking, it is incredible.
At this magnification, depth of field becomes paper-thin, often less than a millimeter. Focus stacking software like Helicon Focus becomes almost a requirement. The included 67mm UV filter is a thoughtful touch for protecting the front element.
Who should buy this lens
Studio and scientific macro photographers who need maximum magnification. If you shoot jewelry, watch parts, or detailed product photography, the 2x opens up a new world.
Who should look elsewhere
Wildlife macro shooters. No AF and no IS means you will struggle with anything that moves.
8. Laowa Venus Optics 100mm f/2.8 2X Ultra Macro APO for Canon EF
Laowa Venus Optics 100mm f/2.8 2X Ultra Macro APO Lens for Canon EF
100mm focal length
2:1 magnification
APO optics
Manual focus
Pros
- Tack sharp at 2x magnification
- No chromatic aberration
- Solid metal build quality
- Works with Canon EF-M adapter
- Great value
Cons
- Manual focus only
- No AF or image stabilization
- Some mount tolerance concerns
- Heavy for the size
- No weather sealing
This is the Canon EF version of the Laowa 100mm 2x Ultra Macro. Tested on a 5D Mark IV via native EF mount, the optical performance was identical to the Sony E version. APO design, 2x magnification, and that signature Laowa sharpness.
Build quality is solid with a metal barrel, though the mount fitment has been a slight concern for some Canon users. I had no issues during my testing, but I would recommend inspecting it carefully when it arrives. Using it on Canon EOS R mirrorless bodies via the EF-to-RF adapter works flawlessly too.
For product photographers, the 2x magnification is genuinely useful. I shot an engagement ring with a tiny diamond and the clarity in the facets was stunning. Combined with focus stacking, you can get tack-sharp results across surprisingly large objects at 2x.
Like the Sony E version, there is no autofocus and no image stabilization. This is a deliberate choice that keeps the price low and the optical quality high. Treat it as a specialty tool, not an all-rounder.
Who should buy this lens
Canon EF shooters who want extreme magnification for studio and product work. It is also an excellent value play for RF shooters using the official Canon EF adapter.
Who should look elsewhere
Anyone needing autofocus or in-body communication. If you want a versatile everyday macro, go with the Canon RF 100mm instead.
9. Canon RF 35mm F1.8 IS Macro STM – Best Compact Macro for Canon RF
Canon RF35mm F1.8 is Macro STM Lens
35mm focal length
0.5x macro
f/1.8 aperture
5-stop IS
Pros
- Sharp at f/1.8
- Versatile for portraits and street
- Fast silent STM AF
- Outstanding 5-stop IS
- Compact and lightweight
Cons
- Some AF precision variation
- Control ring can be bumped
- Some purple fringing wide open
- 0.5x requires very close distance
- Not EF-compatible
The Canon RF 35mm f/1.8 IS Macro STM is the most versatile lens in this entire guide. While 0.5x magnification is not true 1:1 macro, it is plenty for food photography, detailed product shots, and casual close-ups. The f/1.8 aperture also makes it a low-light beast.
Slipped onto an RP for a trip to Tokyo, this lens became my everyday carry. It handled dim yakitori restaurants at f/1.8, sharp street scenes in Shibuya, and detailed sushi close-ups in tiny bars. The 5-stop image stabilization is among the best I have tested in any focal length.
The 0.5x magnification is a 1:2 reproduction ratio, meaning your subject appears half its actual size on the sensor. For social media product photography and food shots, that is plenty. The minimum focus distance of 0.17m is also incredibly close, so you can practically touch your subject.
There is some purple fringing wide open, and the control ring is easy to bump accidentally. Neither is a deal-breaker for me, but perfectionists may notice. Also note this is an RF-only lens, so EF users need the Canon RF to EF adapter, which adds size.
Who should buy this lens
Canon RF shooters who want one lens for travel, street, and casual macro. Content creators will find the f/1.8 aperture and IS combo hard to beat for video too.
Who should look elsewhere
If true 1:1 macro is your main goal, get the RF 100mm. If you shoot only macro, the 35mm focal length feels restrictive for traditional macro subjects.
10. Raynox DCR-250 Super Macro Snap-On Lens – Best Budget Macro Starter
Raynox DCR-250 Super Macro Snap-On Lens
Snap-on attachment
+8 diopter
52-67mm fit
Made in Japan
Pros
- Outstanding bang-for-the-buck
- Turns any lens into a macro
- Very compact and portable
- Quick snap-on/off design
- Decent image quality for the price
Cons
- Extremely thin depth of field
- Manual focus recommended
- Some chromatic aberration
- Not a true dedicated macro lens
- AF struggles with it attached
If you are curious about macro photography but not ready to drop a thousand dollars on a dedicated lens, the Raynox DCR-250 is your gateway drug. I clipped it onto the front of a 70-200mm zoom and instantly had a working macro setup for less than a dinner out.
The +8 diopter power gives you up to 1.84:1 magnification when paired with a telephoto lens. The included universal adapter fits filter threads from 52mm to 67mm, which covers most kit lenses and zooms. Multi-coated glass keeps image quality respectable.
There are real limitations. The depth of field is incredibly thin, often less than a millimeter at this magnification. You will need to focus stack, stop down to f/8 or smaller, and shoot in good light. Autofocus struggles too, so manual focus is the way to go.
But for under 80 dollars, you get a taste of macro photography without commitment. Many of my workshop students start with this exact attachment before upgrading to a true macro lens. It is a fantastic learning tool.
Who should buy this lens
Beginners who want to test the macro waters. Hobbyists and educators will appreciate the low cost and versatility.
Who should look elsewhere
Professional photographers needing reliable, repeatable results. The DCR-250 is a fun tool, not a workhorse.
How to Choose the Best Macro Lens for Your Needs?
Picking the right macro lens for close-up photography comes down to a few key factors. Let me walk you through the decisions that actually matter, based on what I learned testing these ten lenses.
Understand 1:1 magnification
The single most important spec for any macro lens is its magnification ratio. A 1:1 ratio means your subject appears life-size on the camera sensor, the gold standard for true macro work. Lenses with 0.5x (1:2) magnification produce subjects at half life-size, which works for casual close-ups but not serious macro.
For insects, jewelry, and detailed product shots, 1:1 is the minimum you should accept. If you want extreme detail of tiny subjects, look for 2:1 lenses like the Laowa 100mm 2X Ultra Macro.
Consider working distance and focal length
Focal length determines how far you stand from your subject. A 100mm or 105mm macro lens gives you about 12 inches of working distance at 1:1, comfortable for most subjects. A 60mm lens cuts that to about 8 inches, which can scare away insects and block your light.
For insect photography and skittish subjects, consider 150mm or 200mm macro lenses for the extra working distance. You can also pair a 100mm macro with a teleconverter to get a budget 140mm or 200mm equivalent, though you will lose some light and sharpness.
Autofocus vs manual focus
Modern macro lenses offer fast, accurate autofocus for most situations. Canon RF, Nikon Z, and Sony E mount lenses have particularly impressive AF performance. However, for extreme close-up work at 1:1 and beyond, manual focus is often faster and more precise.
If you mostly shoot studio product photography, autofocus matters less. If you are chasing bees in a garden, fast AF becomes a real advantage.
Image stabilization at macro distances
Image stabilization (IS or VR) is a wonderful feature for general photography, but it is less useful at extreme close-up distances. The shake it compensates for is small compared to the depth of field at 1:1. Modern hybrid IS systems designed for macro work, like Canon’s 4-stop hybrid, work much better than older systems.
For serious macro work, a tripod, ring flash, and focus stacking will give you better results than IS alone. That said, IS still helps with framing and composing your shot.
Build quality and weather sealing
If you shoot outdoors, weather sealing matters. Several of the lenses on this list (Canon RF 100L, Nikon Z 105mm S, Sigma 105mm DG DN Art) offer dust and moisture resistance. Skip the sealing if you only shoot indoors, but outdoor macro photographers will appreciate it the first time the weather turns.
Match the lens to your camera system
Buy native mount lenses whenever possible. Native autofocus performance is faster, firmware updates keep your lens compatible with new bodies, and electronic features like in-body image stabilization coordination work seamlessly.
Third-party lenses from Sigma, Tamron, and Laowa offer excellent value but may have slightly slower AF and occasional compatibility quirks with the latest camera bodies.
Frequently Asked Questions
What type of macro lens is best for close-up photography?
A dedicated macro lens with 1:1 magnification is best for serious close-up photography. For most users, a 100mm or 105mm focal length offers the best balance of working distance, sharpness, and versatility. Brands like Canon, Nikon, and Sony offer excellent options, while Sigma and Laowa provide strong third-party alternatives.
What is the best lens for shooting close-up photos?
For full-frame cameras, the Canon RF 100mm f/2.8 L Macro IS USM is one of the best all-around choices, offering 1.4x magnification, fast AF, and 5-stop stabilization. For Nikon Z users, the NIKKOR Z MC 105mm f/2.8 VR S delivers S-Line sharpness. For Sony, the Sigma 105mm f/2.8 DG DN Macro Art is a strong value pick.
What are the downsides of using macro lenses?
Macro lenses have a very shallow depth of field at 1:1 magnification, often less than a millimeter, making precise focus critical. They can also be slow to autofocus on moving subjects like insects, and many offer limited zoom flexibility. The best macro lenses for close-up photography also tend to be expensive, especially native mirrorless options.
How close can a macro lens focus?
A true macro lens with 1:1 magnification can focus close enough to render a subject life-size on the sensor. Most 100mm macro lenses have a minimum focus distance around 12 inches (30cm). Specialty lenses like the Laowa 100mm 2X Ultra Macro can achieve 2:1 magnification, capturing subjects at twice life-size for extreme detail work.
Does a macro lens take close-up pictures?
Yes, macro lenses are specifically designed for close-up pictures. They are optimized to focus sharply at very short distances, typically achieving 1:1 magnification where the subject appears life-size on the camera sensor. This makes them ideal for photographing insects, flowers, jewelry, and product details.
Final Verdict: Which Macro Lens Should You Buy?
After two months of testing ten macro lenses for close-up photography, my top pick for 2026 is the Canon RF 100mm f/2.8 L Macro IS USM. The 1.4x magnification, 5-stop IS, and gorgeous bokeh make it the most complete macro lens available today. If you shoot Nikon Z, the NIKKOR Z MC 105mm f/2.8 VR S is the equivalent standout.
For Sony shooters, the Sigma 105mm f/2.8 DG DN Macro Art offers flagship optics at a friendlier price. If you are on a budget, the Raynox DCR-250 is a brilliant way to test the macro waters without committing to a dedicated lens. For extreme detail work, the Laowa 100mm 2X Ultra Macro opens up a world beyond 1:1.
No matter which lens you choose, the world of close-up photography is waiting. Get out there and start shooting.